Toutes peintures ā l'huile d'LANCRET, Nicolas
Choice ID Image  Painting (From A to Z)       Details 
64724 Company in the Park  Company in the Park   64,5 x 69,5 cm Museu Calouste Gulbenkian, Lisbon Artist:LANCRET, Nicolas Title: Company in the Park, 1701-1750, French , painting , genre
7795 Company in the Park g  Company in the Park g   Oil on canvas, 64,5 x 69,5 cm Museu Calouste Gulbenkian, Lisbon
7796 Fete in a Wood s  Fete in a Wood s   1720-25 Oil on canvas, 64 x 91 cm Wallace Collection, London
64726 Lady and Gentleman with two Girls and a Servant  Lady and Gentleman with two Girls and a Servant   1742 Oil on canvas, 89 x 98 cm National Gallery, London Artist:LANCRET, Nicolas Title: Lady and Gentleman with two Girls and a Servant, 1701-1750, French , painting , genre
7798 Lady and Gentleman with two Girls and a Servant sf  Lady and Gentleman with two Girls and a Servant sf   1742 Oil on canvas, 89 x 98 cm National Gallery, London
7797 Luncheon Party sg  Luncheon Party sg   1735 Oil on canvas Museum of Fine Arts, Boston
7794 Mademoiselle de Camargo Dancing g  Mademoiselle de Camargo Dancing g   1730 Oil on canvas, 42 x 55 cm Wallace Collection, London
30605 Solemn Session of the Parliament for KingLouis XIV,February 22.1723  Solemn Session of the Parliament for KingLouis XIV,February 22.1723   mk68 Oil on canvas Paris,Louvre c.1723 France
7793 The Bird Cage s  The Bird Cage s   Oil on canvas, 44 x 48 cm Alte Pinakothek, Munich
29636 The Seat of Justice in the Parliament of Paris in 1723  The Seat of Justice in the Parliament of Paris in 1723   c. 1724 Oil on canvas, 56 x 81,5 cm
7799 The Seat of Justice in the Parliament of Paris in 1723 g  The Seat of Justice in the Parliament of Paris in 1723 g   c. 1724 Oil on canvas, 56 x 81,5 cm Mus??e du Louvre, Paris
7800 The Swing t  The Swing t   Oil on canvas Victoria and Albert Museum, London
7801 Winter g  Winter g   1738 Oil on canvas, 69 x 89 cm Mus??e du Louvre, Paris
LANCRET, Nicolas
French painter (b. 1690, Paris, d. 1743, Paris). French painter, draughtsman and collector. He was one of the most prolific and imaginative genre painters of the first half of the 18th century in France, and, although after his death he was long regarded as a follower and imitator of Antoine Watteau, his work is markedly personal and often innovative. He began training as an engraver but soon apprenticed himself to Pierre Dulin (1669-1748), a moderately successful history painter; by 1708 he had enrolled as a student at the Academie Royale de Peinture et de Sculpture, Paris. At an unknown date he entered the workshop of the genre and decorative painter Claude Gillot, who had been Watteau's master. This move signalled an important change of direction away from the history painting pursued by his friend Francois Lemoyne. Two contemporary biographers, Ballot de Sovot and D?zallier D'Argenville



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